A six-month coaching semester for middle school and high school singers — private lessons built around your singer, and a room of their peers to grow up in.
These are the years when their voice starts to change, their confidence begins to form, and their interest in music either gets nurtured or overlooked.
A young singer in this stretch doesn't need to be pushed. They need someone who can hear what's actually happening in their voice, tell them the truth kindly, and give them something to practice that works. That's the whole job.
The JAC is six months of exactly that, with me — drawing on more than twenty years of helping artists find their sound and sharpen their skills.
That's what the group classes are for. Twice a month the club gets in a room and sings for each other — singers from all over, all of them somewhere in the same stretch of growing up.
Something happens in that room that a private lesson can't reach. They watch someone else put themselves out there, and then they do it too. They hear an idea they'd never have tried alone. They learn to give feedback that's actually useful and actually kind, which is a harder skill than singing and serves them for the rest of their lives.
It's co-led by a young adult coach who started training with me when he was thirteen and now teaches alongside me. He remembers being the nervous one in the room, and the kids can tell.
Every singer in the club gets their own plan. I build the programming around what that particular voice needs — a singer fighting through a changing range and a singer preparing an audition are not working on the same things, and they shouldn't be handed the same semester.
They also book their own lessons, from their own portal. That's on purpose. Learning to hold your own calendar, show up when you said you would, and come prepared is part of what we're building here — and it's a habit that outlasts the singing.
Every singer in the club gets the same everything — same group classes, same course, same library, same portals. Choose the private-lesson length that fits your singer.
The Hour Track isn't priced as a discount — it's simply twice the private time with me, for families who want it.
Half at enrollment, then the balance across five monthly payments. That's the semester.
At month six, nothing happens. No new invoice, no renewal conversation, no rate change. The monthly simply keeps running and your singer stays in the club as an ongoing member at the same rate they've been paying all along.
That's the reward for staying: the enrollment payment is a one-time thing, and as long as your singer stays with us, you never pay it again. If there's a break and you come back later, we start a fresh semester from the top — so if life gets complicated, tell me before you go quiet and we'll work it out.
Moving up from the Standard track to the Hour Track at any point is easy, and there's no new enrollment payment for it. You just move to the higher monthly.
Middle school and high school aged singers. If your singer is close to that range on either side, ask me — what matters more than the number is whether they're ready to work and ready to be in a room with other singers.
Because I want to hear your singer before either of us commits. The discovery call is where I find out what's actually going on in their voice and whether the club is the right room for them. If it isn't, I'll tell you that and point you somewhere better.
No. The course and the library are the same for everyone, but the plan isn't. I build each singer's programming around what their voice needs that semester, and I rework it as they change — because at this age, they change fast.
Yes. The Vocal Transformation Course is theirs permanently — not for the semester, not while they're enrolled. Forever. If they step away for a few years and come back to singing at twenty-five, it's still in their account.
Yes, on request. Ask me at the close of the semester and I'll get one to you — some families want it for school or a portfolio, and some never think about it.
Tell me on the call. I've done this with siblings before and I'll work something out with you.
Talk to me. I'd much rather find a way to keep your singer in the room than have them disappear. Life happens — travel, sports seasons, exam weeks — and we work around all of it. You'll never be penalized for my schedule either.
Your singer books their own, from their own portal — that's part of what we're teaching. You'll also have a dedicated concierge from my team who checks in and keeps it all on track.